Bower Saloon


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Venue Type & Location


Site Name: Bower Saloon
Location: London
County: London (city-county)
Location Type: Town - in town at determined location


  • Address: Upper Marsh and Stangate Street, Lambeth. For a current map, Click Here. For an historical map showing the venue (in addition to the one excerpted at right), Click Here.

  • Alternate Names: Bower Theatre

  • Performance Space Description: Information about this venue has not yet been compiled; however, some sense of the performance space may be gleaned by following the links at right. In particular:

  • See the 'Bibliographic Sources' link for a provisional list of venue-relevant resources (both primary and secondary). Wherever possible (i.e. when the pertinent text is relatively short and/or easily condensed) this material has been transcribed, and appears beneath the appropriate bibliographic citation.

  • See the 'Events at venue' link for a listing of blackface/minstrelsy-related events that took place in this performance space (with attached bibliographic references).

    Beth Marquis

  • Troupes at Bower Saloon

    Troupe Troupe Type # of events
    Templeton, Stacy Dramatic 1

    Events at Bower Saloon

    Event Date Venue Location Troupe
    Dramatic 14 March 1849 - 14 March 1849 London, London (city-county) Templeton, Stacy

    Bibliographic Sources

    • Howard, Diana. London Theatres and Music Halls 1850-1950. London: The Library Association, 1970.


    • London Theatres Website (Templeman Library, University of Kent at Canterbury). 05/22/2008 (
    • Mayhew, Henry. London Labour and the London Poor. Vol. 2. London: Griffin, Bohn & Co, 1861.
    • Punch, or the London Charivari September 18, 1841: 120.
    • Sherson, Erroll. London’s Lost Theatres of the Nineteenth Century. New York: Benjamin Blom, Inc., 1925.


    • Walford, Edward. Old and New London Vol. 6 (1878). Reproduced at British History Online. 03/23/2008 (

      "On my way to Lambeth I passed the door of the Bower Theatre, and my attention was attracted by the play-bill, which announced these pieces:—'Innocent or Guilty,' 'Charley Wagg, or the Mysteries of London,' and the 'Hand of Death.' This theatre is nightly crowded with boys, the children of the Sunday-trading women I have alluded to. There can be no doubt that such 'penny gaffs' have a tendency to vitiate the minds of the rising generation, as has also much of the cheap literature which is issued from the press. There are parties in the literary and dramatic world who live upon vice and corruption; and many of the penny publications, ostensibly got up for boys, and profusely illustrated, are little better than guides to the prison and the penitentiary." (Chapter 31, 'Lambeth - Waterloo Road').