{"id":2522,"date":"2019-05-04T15:00:48","date_gmt":"2019-05-04T15:00:48","guid":{"rendered":"http:\/\/142.150.46.75\/poemsandfancies\/?p=2522"},"modified":"2020-09-22T11:52:51","modified_gmt":"2020-09-22T11:52:51","slug":"of-sense-and-reason-exercised-in-their-different-shapes-from-philosophical-fancies","status":"publish","type":"post","link":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522","title":{"rendered":"Of Sense and Reason Exercised in their Different Shapes (from Philosophical Fancies)"},"content":{"rendered":"<p>If everything hath sense and reason, then<br \/>\nThere might be beasts, and birds, and fish, and men<br \/>\nAs vegetables and minerals, had they<br \/>\nThe animal shape to express that way;<br \/>\nAnd vegetables and minerals may know\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 5<br \/>\nAs man, though like to trees and stones they grow.<span id='easy-footnote-1-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-1-2522' title=' This poem is taken from Cavendish\u2019s &lt;em&gt;Philosophical Fancies&lt;\/em&gt; ([London, 1653], pp. 56-63), the natural-philosophical hybrid treatise and poetic collection that Cavendish imagined as the companion volume to &lt;em&gt;Poems and Fancies&lt;\/em&gt;. This poem has been transcribed, modernized, glossed, and annotated by Liza Blake and Farheen Khan.&lt;br \/&gt;\nThe opening gambit of the poem is ambitious: if, Cavendish says, everything in nature is alive (has some kind of sense and reason), then vegetables and minerals might know, might have some form of knowledge, just as humans do. Much of &lt;em&gt;Philosophical Fancies&lt;\/em&gt; espouses a vitalist vision of nature, in which everything in nature does have some degree of sense and reason. In the middle of this twisty opening to the poem is the thought experiment that will make up the majority of the lines: what would it mean to imagine animate forms (beasts, birds, men) with different substances or matter (vegetable or mineral)? '><sup>1<\/sup><\/a><\/span><br \/>\nThen coral trouts may through the water glide,<br \/>\nAnd pearled minnows swim on either side,<br \/>\nAnd mermaids, which in the sea delight,<br \/>\nMight all be made of watery lilies white,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 10<br \/>\nSet on salt wat\u2019ry billows as they flow,<br \/>\nWhich like green banks appear thereon to grow.<br \/>\nAnd mariners i\u2019th\u2019midst their ship might stand<br \/>\nInstead of mast, hold sails in either hand.<br \/>\nOn mountain tops the Golden Fleece<span id='easy-footnote-2-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-2-2522' title=' An allusion to the myth of Jason and the golden fleece, although here the golden fleece is imagined as making up actual sheep themselves, which can birth ewes also made of golden fleece.'><sup>2<\/sup><\/a><\/span> might feed,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0 15<br \/>\nSome hundred years their ewes bring forth their breed.<br \/>\nLarge deer of oak might through the forest run,<br \/>\nLeaves on their heads might keep them from the sun;<br \/>\nInstead of shedding horns, their leaves might fall,<br \/>\nAnd acorns to increase a wood of fawns withal. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 20<br \/>\nThen might a squirrel for a nut be cracked,<br \/>\nIf nature had that matter so compact,<br \/>\nAnd the small sprouts which on the husk do grow<br \/>\nMight be the tail, and make a brushing show.<br \/>\nThen might the diamonds which on rocks oft lie\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 25<br \/>\nBe all like to some little sparkling fly.<br \/>\nThen might a leaden hare, if swiftly run,<br \/>\nMelt from that shape, and so a pig become.<span id='easy-footnote-3-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-3-2522' title='Cavendish adds a marginal note: \u201ca pig of lead.\u201d'><sup>3<\/sup><\/a><\/span><br \/>\nAnd dogs of copper-mouths sound like a bell,<br \/>\nSo when they kill a hare, ring out his knell.<span id='easy-footnote-4-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-4-2522' title='A \u201cknell\u201d is the \u201csound made by a bell when struck or rung, &lt;em&gt;esp.&lt;\/em&gt; the sound of a bell rung slowly and solemnly, as immediately after a death or at a funeral\u201d (&lt;em&gt;Oxford English Dictionary &lt;\/em&gt;[hereafter &lt;em&gt;OED&lt;\/em&gt;]).'><sup>4<\/sup><\/a><\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 30<br \/>\nHard iron men shall have no cause to fear<br \/>\nTo catch a fall, when they a-hunting were,<br \/>\nNor in the wars should have no use of arms,<br \/>\nNor feared<span id='easy-footnote-5-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-5-2522' title='i.e., be afraid'><sup>5<\/sup><\/a><\/span> to fight; they could receive no harms.<br \/>\nFor if a bullet on their breasts should hit,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 35<br \/>\nFall on their back, but straightways up may get,<br \/>\nOr if a bullet on their head do light,<br \/>\nMay make them totter, but not kill them quite.<br \/>\nAnd stars be like the birds with twinkling wing,<br \/>\nWhen in the air they fly, like larks might sing,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 40<br \/>\nAnd as they fly, like wandering planets show,<br \/>\nTheir tails may like to blazing comets grow.<br \/>\nWhen they on trees do rest themselves from flight,<br \/>\nAppear like fixed stars in clouds of night.<br \/>\nThus may the sun be like a woman fair,<span id='easy-footnote-6-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-6-2522' title='This line begins a long section of the poem where Cavendish works with some of the standard tropes and metaphors of love poetry and the blazon (in which a poet compares a beloved woman\u2019s eyes to celestial bodies, skin to alabaster, cheeks to roses and lilies, etc.).'><sup>6<\/sup><\/a><\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 45<br \/>\nAnd the bright beams be as her flowing hair,<br \/>\nAnd from her eyes may cast a silver light,<br \/>\nAnd when she sleeps, the world be as dark night.<br \/>\nOr women may of alabaster be,<br \/>\nAnd so as smooth as polished ivory,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a0 50<br \/>\nOr as clear crystal, where hearts may be shown,<br \/>\nAnd all their falsehoods to the world be known,<br \/>\nOr else be made of rose, and lilies white,<br \/>\nBoth fair and sweet, to give the soul delight,<br \/>\nOr else be made like tulips fresh in May, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 \u00a0 55<br \/>\nBy nature dressed, clothed several colours gay.<br \/>\nThus every year there may young virgins spring,<br \/>\nBut wither and decay as soon again.<br \/>\nWhile they are fresh, upon their breast might set<br \/>\nGreat swarms of bees, from thence sweet honey get. \u00a0\u00a0\u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 60<br \/>\nOr on their lips, for gillyflowers, flies<br \/>\nDrawing delicious sweet that therein lies.<br \/>\nThus every maid like several flowers show,<br \/>\nNot in their shape, but like in substance grow.<br \/>\nThen tears which from oppress\u00e8d hearts do rise, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 65<br \/>\nMay gather into clouds within the eyes,<br \/>\nFrom whence those tears, like showers of rain may flow<br \/>\nUpon the banks of cheeks, where roses grow;<br \/>\nAfter those showers of rain, so sweet may smell,<br \/>\nPerfuming all the air that near them dwell.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 70<br \/>\nBut when the sun of joy and mirth doth rise,<br \/>\nDarting forth pleasing beams from loving eyes,<br \/>\nThen may the buds of modesty unfold,<br \/>\nWith full blown confidence the sun behold.<br \/>\nBut grief as frost them nips, and withering die,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 75<br \/>\nIn their own pods<span id='easy-footnote-7-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-7-2522' title='Cavendish adds a marginal note: \u201cthe husk.\u201d'><sup>7<\/sup><\/a><\/span> entomb\u00e8d lie.<br \/>\nThus virgin cherry trees, where blossoms blow,<br \/>\nSo red ripe cherries on their lips may grow.<br \/>\nOr women plum trees at each fingers end,<br \/>\nMay ripe plums hang, and make their joints to bend.\u00a0\u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 80<br \/>\nMen sycamores, which on their breast may write<br \/>\nTheir amorous verses, which their thoughts indite.<span id='easy-footnote-8-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-8-2522' title='To indite is \u201c[t]o put into words, compose (a poem, tale, speech, etc.); to give a literary or rhetorical form to (words, an address); to express or describe in a literary composition\u201d (&lt;em&gt;OED&lt;\/em&gt;).'><sup>8<\/sup><\/a><\/span><br \/>\nMen\u2019s stretch\u00e8d arms may be like spreading vines,<br \/>\nWhere grapes may grow, so drink of their own wine.<br \/>\nTo plant large orchards need no pains nor care,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0 85<br \/>\nFor everyone their sweet fresh fruit may bear.<br \/>\nThen silver grass may in the meadows grow,<br \/>\nWhich nothing but a scythe of fire can mow.<br \/>\nThe wind, which from the north a journey takes,<br \/>\nMay strike those silver strings, and music make.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 90<br \/>\nThus may another world, though matter still the same,<br \/>\nBy changing shapes, change humours,<span id='easy-footnote-9-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-9-2522' title='Humours are, \u201c[i]n ancient and medieval physiology and medicine: any of four fluids of the body (blood, phlegm, choler, and so-called melancholy or black bile) believed to determine, by their relative proportions and conditions, the state of health and the temperament of a person or animal\u201d (&lt;em&gt;OED&lt;\/em&gt;).'><sup>9<\/sup><\/a><\/span> properties, and name.<span id='easy-footnote-10-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-10-2522' title='This couplet expresses the philosophical thought experiment of the whole poem in miniature: what would it mean to imagine the matter or material of the world, but with unusual shapes or forms?'><sup>10<\/sup><\/a><\/span><br \/>\nThus Colossus, a statue wondrous great,<span id='easy-footnote-11-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-11-2522' title='Colossus was \u201cthe huge bronze statue of the sun god Helios at Rhodes, one of the seven wonders of the ancient world\u201d (&lt;em&gt;OED&lt;\/em&gt;). The statue supposedly stood over a harbor, and ships sailed through its legs; here, the statue is imagined as coming to life and interacting with ships that sail by and under it. This line initiates the final turn of the poem, where Cavendish shifts from imagining animals and people made of unusual matter, to imagining inanimate shaped matter as animate.'><sup>11<\/sup><\/a><\/span><br \/>\nWhen it did fall, might straight get on his feet.<br \/>\nWhere ships, which through his legs did swim, he might \u00a0\u00a0 \u00a0\u00a0 95<br \/>\nHave blown<span id='easy-footnote-12-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-12-2522' title='The word \u201cblown\u201d has been emended from Cavendish\u2019s \u201cblow\u2019d\u201d.'><sup>12<\/sup><\/a><\/span> their sails, or else have drowned them quite.<br \/>\nThe Golden Calf that Israel joyed to see<span id='easy-footnote-13-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-13-2522' title='The \u201cGolden Calf\u201d in the Bible is \u201cthe idol set up by Aaron, and the similar images set up by Jeroboam; sometimes proverbially with reference to the \u2018worship\u2019 of wealth\u201d (&lt;em&gt;OED&lt;\/em&gt;). The worship of the calf usually represents \u201cidolatrous\u201d worship, distracting worshippers from the true admiration of God with the worship of the physical world or wealth. Cavendish here imagines the calf as potentially running away from the idolatrous admiration of its worshippers.'><sup>13<\/sup><\/a><\/span><br \/>\nMight run away from their idolatry.<br \/>\nThe Basan bull of brass might be, when roar,<br \/>\nHis metalled throat might make his voice sound more.<span id='easy-footnote-14-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-14-2522' title='The \u201cBasan bull\u201d was \u201ca notoriously strong bull from the region of the Bashan (Psalm 22:12)\u201d (in &lt;em&gt;Women Poets of the English Civil War&lt;\/em&gt;, ed. Sarah Ross and Elizabeth Scott-Baumann [Manchester: Manchester University Press, 2018], p. 204n). Cavendish here imagines the &lt;em&gt;Basan&lt;\/em&gt; bull as simultaneously a &lt;em&gt;brazen&lt;\/em&gt; or brass bull, roaring from a metal throat.'><sup>14<\/sup><\/a><\/span> \u00a0\u00a0 100<br \/>\nThe hill which Muhammad did call might come<br \/>\nAt the first word, or else away might run.<span id='easy-footnote-15-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-15-2522' title='See Francis Bacon\u2019s essay \u201cOf Boldness\u201d (in &lt;em&gt;Essays&lt;\/em&gt;, ed. John Pitcher [New York, Penguin Books, 1985], p. 95; italics original): \u201cMahomet made the people believe that he would call an hill to him, and from the top of it offer up his prayers for the observers of his law. The people assembled; Mahomet called the hill to come to him, again and again; and when the hill stood still, he was never a whit abashed, but said, &lt;em&gt;If the hill will not come to Mahomet, Mahomet will go to the hill&lt;\/em&gt;.\u201d In Cavendish\u2019s poem the hill has been given the power to come (or not) in response to Muhammad\u2019s call.'><sup>15<\/sup><\/a><\/span><br \/>\nThus Pompey\u2019s statue might rejoice to see<br \/>\nWhen killed was Caesar, his great enemy.<span id='easy-footnote-16-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-16-2522' title='Julius Caesar defeated Pompey in a battle for control over Rome; here, Pompey\u2019s statue is given sentience to rejoice in the death of his former enemy.'><sup>16<\/sup><\/a><\/span><br \/>\nThe wooden horse that did great Troy betray\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 105<br \/>\nHave told what\u2019s in him, and then run away.<span id='easy-footnote-17-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-17-2522' title='A reference to the famous Trojan Horse, a large wooden horse given to the Trojans by the Greeks to commemorate their supposed victory over the Greeks in the Trojan War. The Trojans brought the horse inside the city walls, and the Greek soldiers hidden inside came out at night and sacked Troy.'><sup>17<\/sup><\/a><\/span><br \/>\nAchilles\u2019s arms against Ulysses plead,<br \/>\nAnd not let wit against true valor speed.<span id='easy-footnote-18-2522' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522#easy-footnote-bottom-18-2522' title='In the Trojan War, Achilles was a great fighter, while Ulysses represented martial cunning and wisdom; here, Achilles&amp;#8217;s arms (his armor) plead on behalf of his bravery. '><sup>18<\/sup><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If everything hath sense and reason, then There might be beasts, and birds, and fish, and men As vegetables and minerals, had they The animal shape to express that way; And vegetables and minerals may know\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 5 As man, though like to trees and stones they grow. Then coral trouts may through &hellip; <a href=\"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/?p=2522\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Of Sense and Reason Exercised in their Different Shapes (from Philosophical Fancies)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[244],"tags":[],"class_list":["post-2522","post","type-post","status-publish","format-standard","hentry","category-bonus-poems"],"_links":{"self":[{"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=\/wp\/v2\/posts\/2522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2522"}],"version-history":[{"count":7,"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=\/wp\/v2\/posts\/2522\/revisions"}],"predecessor-version":[{"id":2719,"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=\/wp\/v2\/posts\/2522\/revisions\/2719"}],"wp:attachment":[{"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/library2.utm.utoronto.ca\/poemsandfancies\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}